About

CTHULHU CRUSH PRODUCTIONS

A film, television, and media production company committed to telling unique and creative tales that speak to the variations and depths of the human condition, Cthulhu Crush Productions is predicated on the idea that a tight reign on the fundamentals — great ideas,  great stories, and great presentation — makes for great film and TV, be it small intimate affairs or rousing, pop-corn fueled crowdpleasers.

Meeting on the set of JUDAS KISS and furthering their professional relationship on THE DARK PLACE, Steve and Jody formed Cthulhu Crush after creating critically praised content at other ventures.

The company is named for the reality smashing creations of early 20th century writer H.P. Lovecraft. His best known creation is Cthulhu, the tentacle-faced monster that trancends reality. If you are going to aim high, you might as well aim that high. Besides, the incongruence of Cthulhu with a movie camera was just too good to pass up.

CEO and Creative Partner

Jody Wheeler

Jody Wheeler is the writer-producer-director of the mystery-thriller film THE DARK PLACE, currently playing in festivals and soon to be available on VOD and DVD. A twisted, funny, edge-of-your-seat thriller, THE DARK PLACE stars Blaise Embry, Timo Descamps and Sean Paul Lockhart. Jody also produced the 2011 festival smash, JUDAS KISS, starring Richard Harmon, Charlie David and Sean Paul Lockhart.

He also wrote the 2009 sci-fi action feature HEAT WAVE for Regent Entertainment. His 2008 short film In The Closet was seen world-wide, and nominated for the prestigious IRIS Prize for the best in global shorts. His script PARIS, about an ass-kicking private detective who’s also gay, was a semi-finalist in the 2003 Scriptapalooza Screenplay Competition.He’s a 2006 graduate of the University of California Los Angeles’ Screenwriting program.

A former therapist and social worker, in 1993, Jody earned an M.Ed. in Counseling Psychology and Human Development from George Mason University. For over a decade, he worked with diverse populations from those impacted by HIV / AIDS to abused children to the chronically mentally ill. Curiously, some days he can’t tell the difference between the Hollywood he currently works in and the psych units he used to visit.

CFO and Creative Partner

Steve Parker

Steve Parker is an award-winning editor and executive producer based in San Francisco. In 1996, he decided loving movies from the theater seat wasn’t enough and began taking classes at Film Arts Foundation with a Bolex 16mm camera. Eventually he directed, shot and edited the music video of Tom Robinson’s Loved By You. That first 16mm short debuted at Frameline in San Francisco, and went on to play the 2nd Queer Film Festival in South Korea and in Mexico City.

Ever since then he’s continued to make films, gradually drifting toward executive producer, editor, and general post-production whiz. Hooking up with director J.T. Tepnapa for the short films Masturbation: Putting The Fun Into Self Loving and Begging For Change, gave him a chance to explore a wide range of post-production roles, leading to his role as assistant editor on the feature project Judas Kiss. Since then, Steve has also worked on several short films, most notably Barbie Boy, a charming short about gender and orientation from the viewpoint of young child. The film won Best Short at the Rhode Island International Film Festival.

All of this is made possible by a series of technology jobs at companies such as Apple, Fujitsu, and Sun Microsystems, where he specializes in operating systems and performance. Winning second prize in the California state fair for a microcomputer he and two other electronics students built in 10th grade and then continuing on to Cal Poly San Luis Obispo for his B.S. in Computer Science started him on that career path. Although he loves his “day job,” film makes an invigorating change of pace as an additional creative pursuit.

When he wants to relax he flies model quad-copters around San Francisco, trying not to crash them into his neighbor’s yard.

Partners